America's Next Top Model: Elyse's Dukakis Moment
For a while, it was almost worth tuning into "America's Next Top
Model" just to hate Elyse Sewell.
Elyse seemed like the worst hipster poseur imaginable. She's dating
someone from The
Shins. She effortlessly navigated the streets of Paris with competent French while other contestants were caught on camera
gesturing ineffectually or, even worse, engaging in the "speaking loud, slow English to foreigners" conversational gambit that makes Americans
so endearing. She attacked her competitors for their gaucheness
Giselle was "wasteful, bitchy, stupid, worthless," while even
her closest ally (and the eventual winner) Adrianne annoyed her with
incessant quoting of Jay and Silent Bob. (She later regretted the comments.)
Worst of all, she had the nerve to call herself a nerd. Sure,
she has two undergrad degrees and says she's planning on med
school, but what kind of nerd has a rocker boyfriend and appears on
a reality-show modeling contest? And since when is medicine a particularly nerdy profession anyway?
Elyse was portrayed as a quirky, unconventional anti-model, as if
5'10" gamines with artistically short haircuts have been historically
underrepresented in the world of fashion. The announcer described her
as feeling "out of place." Much was made of the fact that she'd just
tried out for the show on a lark.
Throughout most of the contest, Elyse was just outré enough to
attract interest without subverting any of the bylaws of the carefully
constructed world that "Top Model" had created for its aspiring mannequins.
She engaged in playful faux-lesbian frolicking with Adrianne for the
cameras. She participated enthusiastically in the almost-nude photo
shoot that her competitors Shannon and Robin walked away from for
religious reasons. Elyse may list Bust as one of her favorite
magazines, but she was more than happy to be evaluated on her ladylike
behavior by a group of men described as "French aristocrats."
And all of it seemed to be working out perfectly, until the finale.
First, she appeared to doze off during a pompous, long-winded lecture
on interview etiquette. But the main act of self-sabotage occurred
when the three remaining models walked into the room of judges and
fielded a few questions before one of the three would be eliminated.
Tyra Banks, the show's host, showed Elyse a few clips of herself
when she first entered the competition. Beauty, Elyse said on the
recording, was purely physical. Models simply had to look pretty.
Tyra asked her if her experiences on "Top Model" had caused her to reassess
any of her ideas.
Elyse's response should, of course, have begun with an acknowledgment
that modeling is intense work. It calls for brains and stamina and
heart. She'd waltzed in there underestimating the whole thing in her
condescension, only to find that being a top model is a whole lot more
than looking cute in front of a camera.
Instead, she embarked on a disastrous explanation of how estrogen
exposure early in life results in what we consider to be visually
pleasing facial features.
Befuddled looks. Whooshing "over my head" motions. And Elyse's swift
elimination from the contest.
It was a television meltdown of Michael Dukakis proportions. Like the
infamous Bernard Shaw question about Kitty Dukakis' hypothetical
murder, this one had an obvious audience-pleasing answer. And, like
Dukakis, Elyse gave the answer that was cold, clinical and honest.
"Top Model" purported to debunk some of the myths about modeling. The
industry, Tyra said predictably and often, isn't about "glitz and glamour"
it's real work. But that it might have a lot to do with a
chemical that science already knows a great deal about? That's a little bit too much myth-shattering. You might as
well tell Star Wars fans that the Force is something you can measure
with a blood test. Naming Jonas Salk as your hero, as Elyse did, is
appealingly novel; writing off decades of fashion dogma as a
quantifiable consequence of biology is an affront.
The judges seemed genuinely intrigued by the effect of estrogen
exposure on their profession, coming out with a barrage of questions,
but in the end, Elyse's strategy, unsurprisingly, didn't pay off. On
her exit, she was called "arrogant" this on a show where
contestants who failed to fall into line were told to work "in a car
factory or a bakery," "at Avis" or "at Burger King."
So forget the indie-rock boyfriend, the waifish figure. Elyse is the real thing. A double major may not cut it, but alienating
a whole table of cool kids by failing to pick up on nonverbal cues and
spouting scientific results is more than enough to get you into the
nerd club.
Julia Lipman (julia@flakmag.com)