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BEST COVERS OF THE '90s

Rodger and Hart's "The Lady is a Tramp" (1945)
They Might Be Giants

The Beach Boys' "Little Honda" (1964)
Yo La Tengo

The Rolling Stones' "Satisfaction" (1965)
Cat Power

Donovan's "Season of the Witch" (1966)
Luna

Burt Bacharach's "Don't Go Breaking My Heart" (1966)
The Wondermints

Simon and Garfunkel's "Mrs. Robinson" (1968)
The Lemonheads

Three Dog Nights' "One" (1968)
Aimee Mann

Sly and the Family Stone's "Everyday People" (1968)
Arrested Development

The Stooges' "I Wanna Be Your Dog" (1969)
Alejandro Escovedo

Can's "Mother Sky" (1970)
Th' Faith Healers

The Carpenters' "Superstar" (1971)
Sonic Youth

Roberta Flack's "Killing Me Softly" (1973)
The Fugees

KC and the Sunshine Band's "Get Down Tonight" (1974)
Stereo Total

Fleetwood Mac's "Landslide" (1975)
Smashing Pumpkins

KISS's "Shock Me" (1977)
Red House Painters

Wire's "Map Ref 41°N 93°W" (1979)
My Bloody Valentine

The Long Island Regional Poison Control Council's "Dangerous" (1983)
Busta Rhymes

U2's "I Still Haven't Found What I'm Looking For" (1987)
Negativland

The La's "There She Goes" (1988)
The Boo Radleys

Angelo Badalamenti and David Lynch's "Falling" (1989)
The Wedding Present

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Flak recordThe Carpenters' "Superstar,"
performed by Sonic Youth

There's certainly enough irony already implicit in The Carpenters' 1971 single "Superstar." Something about smiling, gap-toothed everygirl Karen Carpenter singing "But you're not really there. It's just the radio" begs for the song to be reverently left alone. It'd be easy to cover this song and fail, if not simply because of a mining of the obvious and a failure to let sleeping singers lie.

But it's easy to forget in this Brand New Era of "compassionate conservatism" and "moral fiber" that the '90s were the decade in which concepts like reverence and compassion took huge hits. Musically, the most defining moment of it all came with the Jesus and Mary Chain's 1993 single "Reverence," which brutally proclaimed:

I wanna die just like Jesus Christ
I wanna die on a bed of spikes
I wanna die just like JFK
I wanna die on a sunny day

With the paint on J&MC's pop culture graffiti still drying, Sonic Youth's walking all over Karen Carpenter's grave seemed a minor transgression. And while by some accounts, the group's hopelessly gloomy take that appeared on If I Were a Carpenter is a colossal, morbid failure, some of us rather like it.

The layers of guitar fuzz, analog keyboard buzz and incidental piano, not to mention Thurston Moore's deadpan, microphone-practically-in-my-mouth vocals transform a sentimental, syrupy pop song into an obsessed, quasi-insane, rocking-back-in-forth-in-front-of-the-stereo symphony of musical pathos.

Given the auspices under which it was produced — a Carpenters tribute album — "Superstar" is definitely the crying baby at the movie theater or the drunken uncle at gramma's wake. But on its merits, the song is a pearl.

Eric Wittmershaus (ericw at flakmag dot com)

ALSO BY …

Also by Eric Wittmershaus:
Riding the MTA's Love Train
Nuzzling Up Against the Cold Hand of Science
A Modest Proposal
Best Music of 2002
Best Music of 2001
Baby Bird | The Original Lo-Fi
The Mountain Goats | All Hail West Texas
Memento
Dungeons & Dragons
USA Flag Remote Control
Cover letter accompanying The Wondermints' Mind if We Make Love to You
A bottle of wine I got free from work
More by Eric Wittmershaus

 
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