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BEST COVERS OF THE '90s

Rodger and Hart's "The Lady is a Tramp" (1945)
They Might Be Giants

The Beach Boys' "Little Honda" (1964)
Yo La Tengo

The Rolling Stones' "Satisfaction" (1965)
Cat Power

Donovan's "Season of the Witch" (1966)
Luna

Burt Bacharach's "Don't Go Breaking My Heart" (1966)
The Wondermints

Simon and Garfunkel's "Mrs. Robinson" (1968)
The Lemonheads

Three Dog Nights' "One" (1968)
Aimee Mann

Sly and the Family Stone's "Everyday People" (1968)
Arrested Development

The Stooges' "I Wanna Be Your Dog" (1969)
Alejandro Escovedo

Can's "Mother Sky" (1970)
Th' Faith Healers

The Carpenters' "Superstar" (1971)
Sonic Youth

Roberta Flack's "Killing Me Softly" (1973)
The Fugees

KC and the Sunshine Band's "Get Down Tonight" (1974)
Stereo Total

Fleetwood Mac's "Landslide" (1975)
Smashing Pumpkins

KISS's "Shock Me" (1977)
Red House Painters

Wire's "Map Ref 41°N 93°W" (1979)
My Bloody Valentine

The Long Island Regional Poison Control Council's "Dangerous" (1983)
Busta Rhymes

U2's "I Still Haven't Found What I'm Looking For" (1987)
Negativland

The La's "There She Goes" (1988)
The Boo Radleys

Angelo Badalamenti and David Lynch's "Falling" (1989)
The Wedding Present

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FEATURES WRITERS WANTED

Flak seeks writers to write reviews, essays and interviews for its Features section. Special emphasis on short, timely takes on major works.

No pay. Some glory. Lots of editorial back-and-forth, and a nice-looking clip for your files. Check out our guidelines for details or contact Features editor Jim Norton.



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Flak record The La's "There She Goes,"
performed by The Boo Radleys

The La's "There She Goes" became ubiquitous in the early '90s, aided in no small part by the prominent role the song played in Mike Meyers' film, So I Married and Axe Murderer.

But besides its tendency to get overplayed, there was little to argue against the song. Its shimmery layered guitars matched Lee Maver's scratchy voice exceptionally well, making "There She Goes" an effortless, perfect pop song.

But then The Boo Radleys — who also did "Boo! Faith," a terrific take on New Order's "True Faith" — took the song a step further and made it, unbelievably, perfect. The Boos shortened the song by about 30 seconds, substituted horns for the opening guitars and added handclaps throughout the melody, with a lilting vocal carrying the tune throughout.

It's hard to screw up a good song, so the band couldn’t have done that badly with already great material — Sixpence None The Richer also covered the song, receiving much more airplay in the United States than either The Boos or The La's version. And while Sixpence's version was fine, it's the weakest of the three.

But The Boo Radleys outdid a gem of a song, easily earning a place on our list.

Stephanie Kuenn (smkuenn at gmail dot com)

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