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BEST COVERS OF THE '90s

Rodger and Hart's "The Lady is a Tramp" (1945)
They Might Be Giants

The Beach Boys' "Little Honda" (1964)
Yo La Tengo

The Rolling Stones' "Satisfaction" (1965)
Cat Power

Donovan's "Season of the Witch" (1966)
Luna

Burt Bacharach's "Don't Go Breaking My Heart" (1966)
The Wondermints

Simon and Garfunkel's "Mrs. Robinson" (1968)
The Lemonheads

Three Dog Nights' "One" (1968)
Aimee Mann

Sly and the Family Stone's "Everyday People" (1968)
Arrested Development

The Stooges' "I Wanna Be Your Dog" (1969)
Alejandro Escovedo

Can's "Mother Sky" (1970)
Th' Faith Healers

The Carpenters' "Superstar" (1971)
Sonic Youth

Roberta Flack's "Killing Me Softly" (1973)
The Fugees

KC and the Sunshine Band's "Get Down Tonight" (1974)
Stereo Total

Fleetwood Mac's "Landslide" (1975)
Smashing Pumpkins

KISS's "Shock Me" (1977)
Red House Painters

Wire's "Map Ref 41°N 93°W" (1979)
My Bloody Valentine

The Long Island Regional Poison Control Council's "Dangerous" (1983)
Busta Rhymes

U2's "I Still Haven't Found What I'm Looking For" (1987)
Negativland

The La's "There She Goes" (1988)
The Boo Radleys

Angelo Badalamenti and David Lynch's "Falling" (1989)
The Wedding Present

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No pay. Some glory. Lots of editorial back-and-forth, and a nice-looking clip for your files. Check out our guidelines for details or contact Features editor Jim Norton.



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Flak recordThe Rolling Stones' "Satisfaction,"
performed by Cat Power

With her gentle rendering of "Satisfaction," arguably the biggest hit by one of the most misogynist bands of all time, Cat Power (aka Chan Marshall) strikes a resounding blow for feminism and gets rid of that annoying chorus at the same time.

Stark, laid-back and beautiful, Cat Power's The Covers Record finds its emotional core with "Salty Dog" and "Sea of Love," but it's "Satisfaction" that gets things started. Featuring nothing but Marshall's beautiful, husky, country-girl voice and an acoustic guitar, the song becomes more circumstance than pomp, as Marshall wends her way from verse to verse, pausing for a brief guitar-only interlude where the shouted chorus should be. The result is tranquil and understated.

But below the surface, a woman singing about "trying to make some boy" and complaining about her "losing streak" might have landed Marshall in social hot water back in the Stones' heyday. Despite all the talk of a sexual revolution, women like Lil' Kim are still getting in trouble for talking about their needs. But rather than coming across as a controversial bit of rabble-rousing, Marshall's understated lyrical gender reversal seems all in the name of clever sexual straight talk. Probably not what Mick and Keith intended.

Eric Wittmershaus (ericw at flakmag dot com)

ALSO BY …

Also by Eric Wittmershaus:
Riding the MTA's Love Train
Nuzzling Up Against the Cold Hand of Science
A Modest Proposal
Best Music of 2002
Best Music of 2001
Baby Bird | The Original Lo-Fi
The Mountain Goats | All Hail West Texas
Memento
Dungeons & Dragons
USA Flag Remote Control
Cover letter accompanying The Wondermints' Mind if We Make Love to You
A bottle of wine I got free from work
More by Eric Wittmershaus

 
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