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BEST COVERS OF THE '90s

Rodger and Hart's "The Lady is a Tramp" (1945)
They Might Be Giants

The Beach Boys' "Little Honda" (1964)
Yo La Tengo

The Rolling Stones' "Satisfaction" (1965)
Cat Power

Donovan's "Season of the Witch" (1966)
Luna

Burt Bacharach's "Don't Go Breaking My Heart" (1966)
The Wondermints

Simon and Garfunkel's "Mrs. Robinson" (1968)
The Lemonheads

Three Dog Nights' "One" (1968)
Aimee Mann

Sly and the Family Stone's "Everyday People" (1968)
Arrested Development

The Stooges' "I Wanna Be Your Dog" (1969)
Alejandro Escovedo

Can's "Mother Sky" (1970)
Th' Faith Healers

The Carpenters' "Superstar" (1971)
Sonic Youth

Roberta Flack's "Killing Me Softly" (1973)
The Fugees

KC and the Sunshine Band's "Get Down Tonight" (1974)
Stereo Total

Fleetwood Mac's "Landslide" (1975)
Smashing Pumpkins

KISS's "Shock Me" (1977)
Red House Painters

Wire's "Map Ref 41°N 93°W" (1979)
My Bloody Valentine

The Long Island Regional Poison Control Council's "Dangerous" (1983)
Busta Rhymes

U2's "I Still Haven't Found What I'm Looking For" (1987)
Negativland

The La's "There She Goes" (1988)
The Boo Radleys

Angelo Badalamenti and David Lynch's "Falling" (1989)
The Wedding Present

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No pay. Some glory. Lots of editorial back-and-forth, and a nice-looking clip for your files. Check out our guidelines for details or contact Features editor Jim Norton.



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Flak recordThe Beach Boys' "Little Honda,"
performed by Yo La Tengo

The Jesus and Mary Chain nailed the whole Beach Boys-cover thing on the head with their blistering, feedback-drenched take on "Surfin' USA," which would eventually show up on their B-sides compilation, Barbed Wire Kisses.

But that version was recorded in the '80s and therefore isn't eligible for our list. The closest '90s representation of J&MC's why-didn't-anyone-think-of-this-before approach lies in Yo La Tengo's take on "Little Honda," off of the group's much-praised 1997 album I Can Hear the Heart Beating as One.

Much like the J&MC of more than 10 years previous, Yo La Tengo layers its Beach Boys cover in heavy guitar noise, though Ira Kaplan's measured control of his feedback is the perfect metaphor for what makes YLT function so well as a band: It takes what's been done well by other folks (most notably, Sonic Youth, Can and The Velvet Underground) and turns it into delicious ear candy. YLT takes its lumps from critics for not being the most original of the big name indie outfits, but you can't deny Kaplan, Georgia Hubley and James McNew's pop savvy.

That savvy is also on display on the group's myriad other cover tunes, from their much-played take on Daniel Johnston's "Speeding Motorcycle" to their version of the obscure Sandy Denny tune "By the Time It Gets Dark." YLT's continued mastery of the cover tune remains more certain than a four-year Dubya presidency. Do a Yo La Tengo search on Napster and see for yourself.

Eric Wittmershaus (ericw at flakmag dot com)

ALSO BY …

Also by Eric Wittmershaus:
Riding the MTA's Love Train
Nuzzling Up Against the Cold Hand of Science
A Modest Proposal
Best Music of 2002
Best Music of 2001
Baby Bird | The Original Lo-Fi
The Mountain Goats | All Hail West Texas
Memento
Dungeons & Dragons
USA Flag Remote Control
Cover letter accompanying The Wondermints' Mind if We Make Love to You
A bottle of wine I got free from work
More by Eric Wittmershaus

 
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