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THE '90S BEST BOOKS: PIECE BY PIECE

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The Decade in Film

The Decade in Music

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danielewskiThe Decade's Best Typography

Though "House of Leaves'" multiple typefaces violate a cornerstone of Typography 101, they actually serve to make it easier to keep track of the book's multiple points of view and varying levels of narration. What's more, as author Mark Z. Danielewski explained in an interview, each typeface was chosen for a reason.

The font used for the character who allegedly began Danielewski's narrative is Times, while that used for Johnny Truant, a twentysomething drifter who readies the manuscript for publication and adds in his own story, is Courier. The book's subsequent editors use Bookman and the title page is done in Dante, whose aptness is apparent to anyone reading the book.

But Danielewski's storytelling innovations go beyond those of simple type selection. The author uses myriad devices including vertical footnotes, backward type and footnotes within footnotes. He also widely varies the number of words on a page in attempt to keep the reader turning pages at the speed of what's happening in the novel. Chapter 9, with two vertical footnotes and a blue box with backward type, takes place when a group of characters are lost in a maze.

Page 139 from Mark Z. Danielewski's "House of Leaves."

When the action really gets moving in the next chapter, the text is presented with only a few words on a page. As Danielewski says, "You could probably read the whole thing in, like, 10 minutes."

Page 429 from Mark Z. Danielewski's "House of Leaves."

Eric Wittmershaus (ericw at flakmag dot com)

ALSO BY …

Also by Eric Wittmershaus:
Riding the MTA's Love Train
Nuzzling Up Against the Cold Hand of Science
A Modest Proposal
Best Music of 2002
Best Music of 2001
Baby Bird | The Original Lo-Fi
The Mountain Goats | All Hail West Texas
Memento
Dungeons & Dragons
USA Flag Remote Control
Cover letter accompanying The Wondermints' Mind if We Make Love to You
A bottle of wine I got free from work
More by Eric Wittmershaus

 
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