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Losing Nelson
by Barry Unsworth
Doubleday
Lord Horatio Nelson is, with little argument, the
greatest figure in British naval history. The admiral
who finally defeated Napoleon at Trafalgar (losing his
own life in the process) is a hero to many Brits, but
to Charles Cleasby, the protaganist of "Losing Nelson," he is something more: Nelson's life is Cleasby's obsession, and the single shining
spot of emotional terrain in a psychological landscape
that is both shadowy and damaged.
Charles Cleasby finds that his life's mission is to
clear Nelson of atrocities he may or may not have
committed in Naples. In doing so, Cleasby finds that
Nelson's strong, iconic personality serves as a
beacon of support and strength for his own otherwise
lonely and frightened existence.
But as the book progresses, and Cleasby becomes
increasingly desperate to uncover evidence that may
not exist, the obsession grows and begins to progress
toward a point of no return.
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Lord Horatio Nelson (left) and friends explore the high seas. Ahoy there! Look out for small airborne bits of human skull!
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The publicity for "Losing Nelson" comments that
"something has to give, and give it does in the most
astonishing and entertaining of ways." This is not
entirely accurate. Something does indeed give in
Charles Cleasby's life, but when it does, the process
is anything but entertaining; it's hard not to feel
ripped apart by some of the paths the narrative
takes.
It's almost uneccesary to add that this occasionally
horrific book makes a good read. Author Barry Unsworth
picks apart the meaning found in the simple routines
and emotional crutches carried by a single man and, in
doing so, manages to make a number of astute
observations about the deep, quiet interior lives of
people in general. There can be no doubt that Cleasby
is a seriously unhinged individual; tightly wound,
reclusive and obsessive, his various ticks and
idiosyncracies are painfully itemized and assessed as
"Losing Nelson" unfolds. But the truly disturbing thing
about Cleasby is that he is easy to identify with, and
sympathetic.
The writing is clear and vivid, jumping effortlessly
between the lives of Cleasby and Nelson. Unsworth's
remarkable ability to depict the tiny shifts and
breaks in the emotional relationships between people
is uncanny, and his descriptive ability shines as it illustrates
emotional battle scenes as well as depictions of combat of a very real and physical sort.
Throughout the course of the novel, readers get the
opportunity to learn quite a lot about Horatio Nelson,
his career, his wife, and his mistress. "Losing Nelson" is laced with a great many
anecdotes about the admiral's public life, private turmoil and military exploits.
But this is something of a mixed blessing. For military
history buffs in general (and Nelson fans,
particularly) this book will be a double whammy of
history and emotion, and should be nigh irresistible.
But those with less of an interest in historical
accounts may find that the many battle scenes and
sketches of life in the British navy wear a bit thin
after a while, particularly since some of the battle scenes seem to be almost gleefully packed with (situationally appropriate) carnage.
"Losing Nelson" is not an ordinary book; Barry
Unsworth's keen insight into the life and times of an
obsessive biographer brings out a lot of emotional
baggage that is well worth unpacking and sorting
through. Anyone wrestling with history or human nature
may wish to give it a read.
James Norton (jrnorton@flakmag.com)
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